bodies
Nor was it ever established precisely why this boy had devoted himself to the goal of being able to press his lips to every square inch of his own body. It is not clear even that he conceived of the goal as an “achievement” in any conventional sense. Unlike his father, he did not read Ripley and had never heard of the McWhirters—certainly it was no kind of stunt. Nor any sort of self-evection; this is verified—the boy had no conscious wish to “transcend” anything. If someone had asked him, the boy would have said only that he’d decided he wanted to press his lips to every last micrometre of his own individual body. He would not have been able to say more than this. Insights into or conceptions of his own physical “inaccessibility” to himself (as we are all of us self-inaccessible and can, for example, touch parts of one another in ways that we could not even dream of touching our own bodies) or of his complete determination, apparently, to pierce that veil of inaccessibility—to be, in some childish way, self-contained and -sufficient—these were beyond his conscious awareness. He was, after all, just a little boy. His lips touched the upper areolae of his left and right nipples in the autumn of his ninth year. The lips by this time were markedly large and protrusive; part of his daily discipline was tedious button-and-string exercises designed to promote hypertrophy of the orbicularis muscles. The ability to extend his pursed lips as much as 10.4 centimetres had often meant the difference between achieving part of his thorax and not. It had also been the orbicularis muscles, more than any outstanding advance in vertebral flexion, that had permitted him to access the rear areas of his scrotum and substantial portions of the papery skin around his anus before he turned nine. These areas had been touched, tagged on the four-sided chart inside his personal ledger, then washed clean of ink and forgotten. The boy’s tendency was to forget each site once he had pressed his lips to it, as if the establishment of its accessibility made the site henceforth unreal for him and the site now in some sense “existed” only on the four-faced chart.
David Foster Wallace, "Backbone"
David Foster Wallace, "Backbone"
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