Sunday, August 28

chance

In 1927, Mann's preferred translator for The Magic Mountain either fell or jumped out of a window. Soon after that, David Horton reports, the publisher Alfred A. Knopf moved to confirm his agreement with Helen Lowe-Porter.

Kate Briggs, This Little Art

Monday, August 15

Her eyes were closed. When she opened them

she said: ‘Lace is a kind of white writing which you can only read when there’s skin behind it.’

John Berger, Bento's Sketchbook

Thursday, August 4

I do not always understand what you say.
Once, when you said, across, you meant along.
What is, is by its nature, on display.

Words' meanings count, aside from what they weigh:
poetry, like music, is not just song.
I do not always understand what you say.

You would hate, when with me, to meet by day
What at night you met and did not think wrong.
What is, is by its nature, on display.

I sense a heaviness in your light play,
a wish to stand out, admired, from the throng.
I do not always understand what you say.

I am as shy as you. Try as we may,
only by practice will our talks prolong.
What is, is by its nature, on display.

We talk together in a common way.
Art, like death, is brief: life and friendship long.
I do not always understand what you say.
What is, is by its nature, on display.

James Schuyler, "Poem"

Above, another blue day, (upstairs) the room papered with green capped pink-faced dogs, and the button drawer, only apparitions move to perfection, there! Pray the Lord to keep you from lying, there, O spectral stabat mater may I go out and play the violin outside to the town wearing its sinside inside and not a soul in sight. Church bells inspissated the air, dropping it in sharp fragments. He sat down in his place at table, excused by the falling weights of the bells, and motionless when they had done. There, old vicary, congratulate my refuge, the saneside outside sheltering the insane inside: to present the static sane side outside to another outside saneside, to be esteemed for that outsane side while all the while the insanside attacks your outsane side as though we weren't both playing the same game, and gone down Summer Street (singing unchristian songs) the inane sinside, pocketing a cool million wearing the shoutside outside and doubtside inside, the vileside inside and the violinside outside skipping dancing and foretelling things too come all ye faithful, of thine own give we back to thee.

William Gaddis, The Recognitions